6/23/2023 0 Comments Once by Anna Carey![]() ![]() ![]() Thebreeze block, on the other hand, is structure and pattern finish combined, and the level of visibility the breeze block wall afford either to “negative” space or a view beyond plays into this reduction of the material to surface. In the danger inherent to the materiality of the surface, it defines volumes housing a local nostalgia – the insubstantial and problematic becomes, therefore, substantial (and resolved) as a volume. ![]() Fibre cement again, here, offers a useful point of comparison. '“Even when depicting a patterned breeze block screen in situ, as Anna Carey does in Corridor (2010) or Robert Brownhall in Man on a Roof, Kirra (2007), the block is flattened, maintained as surface. Alexandra Brown and Andrew Leach, Beyond Starlight 2014 ![]()
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